Friday, August 24, 2012

How a Political Anthropologist Cuts and Styles Hair


I was about to lower my eyes to say a short prayer before the worship service began, when I felt my gaze shift to three ladies walking towards their seats diagonal of me. Of particular attention was the second girl. Unlike her companions, she had a distinction among them ---- she sported a dark brown super-short hairstyle which had short, dark caramel highlights on the barber's cut. No doubt she also used if not mousse, a certain brand of wax to accentuate the choppy strands --- it was really a nice touch. Not to exaggerate, but from my view, she had to an extent stood out amongst the rest of the church members beginning from her row up to the front. Its not that members are required to wear their hair long. What I have made of my observation is that my timing in having sat where I sat was a matter of probability, that I just happened to find that all of the ladies (except for an elderly woman or two) wore their hair in that fashion. 

With that introduction out of the way, I found my own observation interesting even though I prefer a super-short hairstyle myself. I do have super-short hair, I have in many instances made it fashionable for myself and I have managed to persuade others to want to get their glorious and not-so-glorious locks butchered (just didn't follow through because the cut wouldn't suit the shape of their face). Its different when you get to see it on someone else, and only then was I able to confirm what I usually said about hair, both in conversations with my mom as well as the answer I had provided in our discussion of 'sexiness' in one of my Anthropology classes. 

The first apparent thing which would ever come to mind would be that super-short hair signaled non-conformity. There's this sense of image being conveyed, variations ranging from implying 'punk rocker' to 'fashionista' depending on the culture of your nationality. The first has to do with deviance from what the traditional had to say about soft beauty. On the other hand, the fashionista image associated with short hair has really more to do with being able to show accessories better considering that hair isn't covering them. Also, believe it or not, there are certain outfits which do look better if the person wearing them has short hair. The fashionista image also insists a break from the traditional and into the modern. Having hair cut short is a signal of agency, most especially so if the woman has a significant other who tells her his preference for medium to long hairstyles.

Hair can also be a political statement. Man is by nature also a zoon politikon, and a style can say so much about the character and outlook the person has. Ever thought that side-parts are just a matter of combing and fashion? Wrong. A person who wears his or her hair parted in the middle says that he or she is neutral --- it's not impressive, especially if in a business meeting or any event that has to do with mingling. In diplomatic training, the rule is always to wear hair parted at the side -- doesn't matter if its a left-side part or a right. Side parts insist position and decidedness.

Further, the fact that short hair has little (material), having more of the person's head and neck exposed is more than a natural or expected effect. The fact that that person had the courage and will to get such style says to the world that she has nothing to hide. Long hair has been, for many decades, treated by many as a security blanket. Although part of this can be blamed by our socialization towards a false subscription to what I like to call 'Strand Sexiness' --- This would be the perspective that holds long hair sexy and feminine because of all those cartoons we have seen while growing up, most mentionable example of goddesses exemplifying strand sexiness are Ariel (Little Mermaid) and most especially Dolores (Roger Rabbit) who is infamous for strutting around and having half of her face covered with her red hair. Dolores and succeeding characters in history who sport the same style could be the ones responsible for the anger of most mothers upon seeing their daughters hidden behind waves of strands. These, just to name a few. Under the rubric of Strand Sexiness is using hair to flirt with guys, in instances it may be effective, but its the most shallow way to go. There are other things that could be used. Why kill with locks when you can go for personality --- its more permanent.

I am among the very few in the Philippine population that does not subscribe to the perspective that short hair is just for the men. I cast blame on the methods of socialization where we have been oriented to seeing women and gender roles as provided in fairy tales and in the Disneyfication of these. On my defense, having short hair does not make one masculine just as a guy having long hair doesn't make him any less of a man. It just so happens that men were the first to get their hair cut and it suited them more than short hair suited most women. 

Hair may be a woman's crowning glory. But in this day and age, so is Agency. 

Friday, August 17, 2012

HOW AN ANTHROPOLOGIST PLAYS A VIDEO GAME I: American Mcgee's Alice

Unlike the other entries I have posted here in Minerva's, this is more of a laid-back, commentary type. These were my thoughts upon having played the game.

DOWN THE RABBIT'S HOLE, GAZING INTO A BROKEN MIRROR
It has been many years since she had last fallen down some not-so-random rabbit hole, sought advice from a caterpillar, and taken tea as the fresh company of the Hatter, hare, and dormouse. Long ago was there a defense council comprising of more than 52 --- playing cards armed with weapons in relation to their suit: hearts, spades, clubs, or diamonds --- with loyalty to the Queen of Hearts,  the woman who is known for her passion for decapitation.

These were only very few anthropomorphic entities named in the introduction of this entry --- It is not of my attempt to recite them all, but the intention to deconstruct what had been formulated by the so-called Lewis Caroll. A deconstruction, twisted, the literal 'bringing into life', a translation from text to virtual representation, 135 years later --- American Mcgee's Alice.

A meticulous macabre craft designed to take players on the wildest adventure in computer gaming, EA Games and Rogue Entertainment team with American James [the wicked disney] Mcgee in bringing the adored Alice to the computer screen. Alice is thirty-seven levels of three-dimensional madness, puzzles, and dexterity-testing controls running under a philosophical plotline. Audiences find Alice at the peak of approaching ladyhood. This aspect however, does not interfere with her frequent interaction with those of Wonderland. While in the dreamstate, in the middle of taking tea with her friends, she recieves warning of a current danger in the 'real world'. She is told that the room smells of smoke, implicating a raging fire. She awakes to find the words of caution of her friends as accurate, and rushes upstairs to her parents' bedroom with intentions of assisting them. To her mortification, she finds that the door would not budge. The fire rages, and Alice had no other choice but to leap from the corridor window under the instructions of her father who shouted from the other side of the door. Alice lands on a bed of snow, losing consciousness.

The death of her parents and the inability to rescue them had left Alice in a state of guilt, the reason behind her attempt at suicide --- evident through the slashes on the character's wrist and blood stains found on her apron, consistent with the self-inflicted wounds. This attempt was enough to place her in the custody of Rutlege Asylum. She remained there seated on the floor of her empty room, her rocking back and forth only to be interrupted by the appearance of the White Rabbit with disdain, plea of help from Alice to return to Wonderland.

SOCIO-PSYCHOLOGICAL MAKEUP OF ALICE

Beginning with Alice back in the days of the series’ infancy purely under Lewis Carroll (where American Mcgee’s postmodernized visual interpretation of Alice along with the twisted plotline has not yet been perceived), Alice begins as a portrayal of young girls in Victorian England. This premise is partially founded on visual clues concerning the manner that Alice is dressed. The cut of the ensemble is the puff‐sleeved, peticoated dress. Blue is a particular color of preference during that period, a medium to dark shade of blue is preferred over the light tone. The white apron is to keep the blue clean.

Society had placed these children under amounts of social pressure so as to make the transition into adulthood in the soonest time possible. This is the explanation behind the proliferation of varied Finishing Schools whose objectives were to accept girls who would ‘graduate’ later as ladies. Inclusive of lessons taught by this socializing institution vary from ethics, table manners, intellectual activities ‐‐‐ in essence anything which may assist in the development of a lady’s culture. It is this expectation which had caused great acute mental and emotional stress upon many children of this age.

Returning to the character of Alice, it may be entertained that this is one of the reasons behind Alice’s mental creation of Wonderland, so as to provide a temporary escape from the psychological demands of society. Ladies like Alice
experience a great sense of hopelessness and identity issues. Although it may be said that a little imagination may refresh a tired spirit, Alice seems to be more participative in her crafted world than in the real‐world setting. She has preferred to be withdrawn, thus discouraging her from interaction with other people within her age range ‐‐‐ something of course which is tremendously unhealthy. In the game, Alice is confronted with the situation where she is somehow compelled to ‘grow up faster’ due to the untimely death of her parents.

MARXIST PHILOSOPHICAL OVERTONES PRESENT IN THE GAME

The game’s visual and traditional literary plotline touches varied philosophical themes, but for the sake of brevity and coherence, this commentary will focus on Marxism.
Two provinces exemplify the central premise of Marxism: Looking Glass Land and Behind the Looking Glass.
Marxism is a catch‐all referring to treatises written by communist proponent Karl Marx, on his perspectives of the relationship and interactions between the working class (proletariat) and the capitalists (bourgeoisie).
It is easily deduced that it is the Mad Hatter who is the portrayal of the capitalist identity. His main limbs are connected to his body through gears, suggestive that the Hatter is not man, but machine. Complementing this feature is his mechanized head filled with gadgetry. The Hatter is the adult authority and personality, wherein being an adult also includes the necessity to be at work or find some useful employment. The Marxist conception of work is equated with toil, a negative connotation of labor wherein the worker is not seen as human, but seen as a machine, operating on a three‐step cycle of sleep‐eat‐work and bound to repeat the cycle on the next day. This is what scholars such as Manuel Dy like to refer to as the ‘corporate slave world’. Hatter’s obsession with time is a similar feature with capitalists wherein that old adage falls in ‐‐‐ ‘time is gold (money)’. It must be clarified that the situation that the Dorm Mouse and the Hare were in, contrary to most LPs or guides done and written, does not insist torture, but mere experimentation. If it was indeed for the purpose of torture, the Hatter would not have the courtesy to use an anesthetic. Players are reminded of the line spoken by the Dorm Mouse, who commented ‘his medicine makes me tired’. 

The Hatter was attempting to develop the first and the ideal man‐machine ‐‐‐ a machine capable of working non‐stop since body parts which easily tire from labor are replaced with metal/mechanical parts. This is also seen in the machine located behind the plate glass where children are taken, smelted with large fragments of bronze or copper, and come from the machine as Robot foes.

The part where the camera pans to view the robot foe-creating machine is an innovative critique which illustrates the transition from innocent child to a grown up conformist who has lost all sense of individuality. Its form insists that it would work for the system, the reinforcement of a cog-like mentality.

I'VE FINISHED MY CUP OF TEA..

Those who have some mastery of the original Alice in Wonderland series are sure to appreciate the postmodernization American Mcgee's Alice had to offer. From its renditions of the characters, morphing of scenes, intellect and will. All of Wonderland is dependent on the player to bring the story to see HAPPILY EVER AFTER.

Thursday, August 16, 2012

Introductory Questions Usually Raised in Physical Anthropology Classes

1. How do humans differ from animals?

          Aside from possessing rationality and intellect, humans are the only species to ponder their own existence and situatedness or position in the spectrum of life on earth. Humans are also the only species to develop language and culture as means of buffering nature's challenges.

2. How is predisposition a common feature between humans and animals?

        Culture isn't genetically determined, but predisposition to assimilate and function in culture is influenced by biological factors. In this light, non-humans can be said to have (some) culture. 

3. It is said that only 2% separates man from chimps. What is this 2%?

        Value and use for Semiotics --- Only humans can use symbols. 

The Habagat Rant Part II

Another HABAGAT related post, this time brought to my page by Fitness Philosopher, my fiance Abner:



Tuesday, August 14, 2012

REALITY BEGINS WITH IMAGINATION: Vermeer in the Corporate World

There is little to no difficulty in saying what an artist is or what isn't the making of an artist. Then again, the question should be rephrased as 'who is an artist?'

Johannes Vermeer was born and raised in Delft, working with his own original
set of paints and with the most crucial element called time. For the artist... time in plenty and an abundance of ideas are the necessary basics of creativity [138:3]. Through the entire course of his career, he was driven purely by soul. The house help praised him on his patience and ambition for the perfect effects of a well-thought-about stroke. His wife on the other hand, with another child on the way, had thought of his tact quite differently. ...if you can't sell your work regularly and quickly, you can either starve or do something else [138:3]. For Vermeer, his priority was not just the craft, but the craft in the making.
 
His perspective of the living he makes out of painting is but a reward for his duty to the canvas. It is more on money follows from passion, and not passion follows from money. He is a lesson to the lot of us. When was there ever a time that we were paid for doing something we really loved?

One of the things I love about Vermeer is his many "colours". Indian yellow of
bile. Lead white from the cupboard. Ruby shellac, gum arabic and wine skin -- drizzled with oil and ground to a smooth paste for his classic shade of verdigris. Linseed oil and bone black (a sudden fascination for coal). Invention is the shaping spirit that re-forms fragments into new wholes, so that even what has been familiar can be seen fresh... [146:1]. And his search for more colors did not stop. My respect for him came through his many processes. Just the way he prepares his palettes already have much to say about him.

To understand what art is, the artist must commune with it. Ours is a world where convenience is king. What we need is up for grabs at the local store. Most of them have now become synthetic, and so along with our preferences. A certain art has died after. Vermeer's paint is already art: it is an abstraction of nature. He paints the whole that it is, the whole that is lost to us as we pass it, eat it, chop it down. It is through the painter, writer, composer, who lives more intensely than the rest of us, that we can rediscover the intensity of the physical world [151:1]. What we easily dismiss as the 'objects of the ordinary' he takes, as he sees the essence and the potential of what they are. What makes them special to his eye is their proneness of being stripped down by our thoughts and opinions for dismissal. He takes them, and through his pieces unveils to the public these objects in their true character. Whatever we missed out on through the times we thought of them as 'just basic'.
 
And if it is a question of knowing how to live, it would be in being an artist. There is a difference in 'seeing' and to actually see. And it is not enough to just 'know', but to strive to 'understand'. Artists seek to view a perspective in all 360 of its degrees, when we on the other hand barely even have the patience to see things 180.
 
Reference: Winterson, Jeanette, Imagination and Reality.

There was HABAGAT, and it was intense enough to have everyone thinking...

I felt like talking about something less formal today. Its suitable to be called an overdue post, but considering the emotional darkness shared by most of society these past few days, indeed it was appropriate for it to have waited.
Note to my readers: I threw in a little Tagalog in there for the flavor. Rest assured, there are translations every time I do. Enjoy, and please do pass a copy of this entry around. Thank you. 

Some People Just Don't Learn
 
Sometime July 2010 I found myself riding an Espana-UST jeepney back from SM San Lazaro to my condo unit on Lacson street in Sampaloc, Manila. When it left its line (you know how there's this long column of jeepneys on the other side of the walk, waiting to be filled with passengers..) and it was on the road, for some reason I instinctively looked at this family of three who were sitting across me. 

The kid who was about six to seven years old had just finished his slice from Pizza Hut, and he gave the plastic wrap to his mom because he didn't know where to put it. It so happened that that jeep didn't have a waste basket. I was expecting the woman to put the wrapper in her purse or pocket or something, but the next thing she did was she threw it out the window behind her! The jeep was moving too --- Imagine there are two effects from this very irresponsible action:  (1) That woman is one contributor to all these flood-related calamities, and (2) Her action makes her a public nuisance in the second sense considering that the wrapper which may have had sauce in it, may have been litter on another car (if that thing got caught on a windshield).

I was so pissed. Ondoy just happened the previous year ---- Was it all so easy to forget? Or was that woman so absorbed and selfish to not think of others. Some people just don't learn! And there are other people like her, and others who take an extra mile to blame the government for their waterpark-misery.

It would've been such a pleasure to have taken that wrapper and shove it into the very back of her mouth. Bitchy ba? Mas bitch ang (Mother Nature) pag siya ang nagalit. [Trans. Am I bitchy? Well, Mother Nature would be more of a bitch when she gets pissed.] 

I AM PROUD TO BE FILIPINO [a.k.a.] On Observations and Wishes 

Facebook is a Filipino subculture, and I've seen series of memes and inspirational photographs which have immortalized this historic meteorologic calamity as well as shown to the rest of the world what blood can do. From resilience to helping each other. And honestly, We are the real Mcgyvers! 

Magaling ang Pilipino, the Filipinos are intelligent with the street smarts to match! My sincere wish for the Philippines is that we will get more opportunities to exercise our skills and show our abilities (as much as possible, in our own country, i dream. We must represent her!), and I wish these would be seen or should I say recognized aside from the world of sports, the labor market, and the music industry.

We are not just waterproof, we are amazing ---- and I hope there are others who share the same sentiment as I do, or even more.

Here is to the lot of us! 



Encore! George Carlin's Modern Man a.k.a. UNDERSTANDING THE POLITICS OF PRESS BRIEFINGS [Part V Last]

E N C O R E ! : George Carlin’s Modern Man (I Am a Man of the Millenium)

"I’m a modern man, a man for the millennium. Digital and smoke free. A diversified multi-cultural, post-modern deconstruction that is anatomically and ecologically incorrect. I’ve been up linked and downloaded, I’ve been inputted and outsourced, I know the upside of downsizing, I know the downside of upgrading. I’m a high-tech low-life. A cutting edge, state-of-the-art bi-coastal multi-tasker and I can give you a gigabyte in a nanosecond!

I’m new wave, but I’m old school and my inner child is outward bound. I’m a hot-wired, heat seeking, warm-hearted cool customer, voice activated and bio-degradable. I interface with my database, my database is in cyberspace, so I’m interactive, I’m hyperactive and from time to time I’m radioactive.
Behind the eight ball, ahead of the curve, ridin the wave, dodgin the bullet and pushin the envelope. I’m on-point, on-task, on-message and off drugs. I’ve got no need for coke and speed. I've got no urge to binge and purge. I’m in-the-moment, on-the-edge, over-the-top and under-the-radar. A high-concept, low-profile, medium-range ballistic missionary. A street-wise smart bomb. A top-gun bottom feeder. I wear power ties, I tell power lies, I take power naps and run victory laps. I’m a totally ongoing big-foot, slam-dunk, rainmaker with a pro-active outreach. A raging workaholic. A working rageaholic. Out of rehab and in denial!

I’ve got a personal trainer, a personal shopper, a personal assistant and a personal agenda. You can’t shut me up. You can’t dumb me down because I’m tireless and I’m wireless, I’m an alpha male on beta-blockers.
I’m a non-believer and an over-achiever, laid-back but fashion-forward. Up-front, down-home, low-rent, high-maintenance. Super-sized, long-lasting, high-definition, fast-acting, oven-ready and built-to-last!

I’m a hands-on, foot-loose, knee-jerk head case pretty maturely post-traumatic and I’ve got a love-child that sends me hate mail.
But, I’m feeling, I’m caring, I’m healing, I’m sharing-- a supportive, bonding, nurturing primary care-giver. My output is down, but my income is up. I took a short position on the long bond and my revenue stream has its own cash-flow. I read junk mail, I eat junk food, I buy junk bonds and I watch trash sports! I’m gender specific, capital intensive, user-friendly and lactose intolerant.
I like rough sex. I like tough love. I use the “F” word in my emails and the software on my hard-drive is hardcore--no soft porn.

I bought a microwave at a mini-mall; I bought a mini-van at a mega-store. I eat fast-food in the slow lane. I’m toll-free, bite-sized, ready-to-wear and I come in all sizes. A fully-equipped, factory-authorized, hospital-tested, clinically-proven, scientifically- formulated medical miracle. I’ve been pre-wash, pre-cooked, pre-heated, pre-screened, pre-approved, pre-packaged, post-dated, freeze-dried, double-wrapped, vacuum-packed and, I have an unlimited broadband capacity.

I’m a rude dude, but I’m the real deal. Lean and mean! Cocked, locked and ready-to-rock. Rough, tough and hard to bluff. I take it slow, I go with the flow, I ride with the tide. I’ve got glide in my stride. Drivin and movin, sailin and spinin, jiving and groovin, wailin and winnin. I don’t snooze, so I don’t lose. I keep the pedal to the metal and the rubber on the road. I party hearty and lunch time is crunch time. I’m hangin in, there ain’t no doubt and I’m hangin tough, over and out!"





R E F E R E N C E SBrown, R. & Gilman, A., The Pronouns of Power and Solidarity, in T. Sebeok (ed.), Style in Language. Cambridge: Cambridge University Press, 1960.
 

Drew, P. & Heritage, J., Analyzing Talk at Work: An Introduction, Cambridge: Cambridge University Press, 1992.
 

Fairclough, N. Language and Power. London: Longman, 1989.
________ Critical Language Awareness. London: Longman, 1992.
 

Partington, A., Linguistics of Political Argument: The Spin Doctor and the Wolf Pack at the White
House, London: Routledge, 2003.
 

Schaffner, C. Editorial: Political Speeches and Discourse Analaysis, in: C. Schaffner (ed.), Analysing Political Speeches. Clevedon: Multilingual Matters, pp.1-4.

George Carlin on Doublespeak and Power Relations a.k.a. UNDERSTANDING THE POLITICS OF PRESS BRIEFINGS [Part IV]

Understanding Power Relations: On the Acquisition, Maintenance & Expression of Power and Distance

Press briefings are regarded as a strategic chess-like match or a poker game. Like the games mentioned, briefings are an event which require diplomacy. It is maintained that politeness has an effect on work being done in press briefings in the sense that it throws light on the way the podium and the press interact. There is the attempt of balancing politeness and active objectives on the part of both sets of participants.

The press briefing is at times informal by nature. This holds true for American and British Circles as in the example given on turn-taking and question-answer forms previously discussed. Scholars such as Fairclough [1992] state that there is a certain ambivalence about contemporary ‘conversalization’ which provided the genuine opening up and democratization of professional domains. This change however provided a strategy for the exercise of power in more subtle and implicit ways. This is a comment that proposes the notion that there will always be the re-concentration of power to some extent. Fowler [1991: 57] somewhat complements Fairclough’s premise, as he contends that conversationalism is for the podium, that there is the implication of a commonly held view of the world, a shared subjective reality that is taken for granted which does not need to be proved. The action tendency to lead audiences and questioners around falls under this critique. However, it must be reminded that the practice of informalism is most of the times invoked as a self-defense mechanism in case an ultra sensitive question is raised. Reminded of Carlin, he did say after all that politician speech has to do with saying something which doesn’t really mean anything.

George Carlin [11:09]: Its particularly interesting to hear Washington talk. Whenever the issue of term limits comes up, I always tell people that the only term limits im interested in is to limit some of the terms used by politicians. They speak of course with great caution because they must take care not to actually say anything. Proof of this, according to their own words that they don't actually say things, they indicate them. 'As I indicated yesterday, and as the President indicated to me..' But sometimes they don't indicate, they suggest. 'Let me suggest, that I indicated yesterday, I haven't determined that yet..' See, they don't decide, they determine. If its a really serious matter, they make a judgment. 'I haven't made a judgment on that yet. When the hearing concluded, I will make a judgment or I might make an assessment.. I'm not sure, I haven't determined that yet. But when I do, I'll advise you' They don't tell, they advise. 'I advised him that I had made a judgment, thus far he hasn't responded.' They don't answer, they respond. 'He hasn't responded to my initiative.' An initiative is an idea that isn't going anywhere. 'When he responds to the intiative, I will review his response, make a position and make a recommendation.' See, they don't read, they review, they don't have opinions but they take positions, they don't give advice, they make recommendations. And at long last, after each has responded to each others responses and each has taken the position, main judgment and offered a recommendation, now they have to do something. But that would be much too direct. So instead they address the problem. 'We are addressing the problem and will soon be proceeding.' Its a big activity here in Washington.. proceeding.. they are always proceeding, moving forward! Alot of that has been going on 'Senator, have you solved the problem?' 'We are moving forward on that.' And when they're not moving forward, they are moving something else forward. Such as the process. 'We are to move the process forward so we could implement the provisions of the initiative, in order to meet these challenges.' No one has problems anymore, but challenges..

This is an example of the play of response on the part of politicians in addressing press questions. The illusion of information is based on their awareness of potential jeopardizes.

As for the refinement on the question of participant roles, the Podium has a multiple set of active objectives that must be secured --- among some is to provide details without divulging too much and to keep the unstated interests of the podium, while the Questioner only has one --- that is mainly to derive information from the podium. Both participants are inclined to their own interests, where achievement of such requires power. The journalist is in perennial demand of information while the podium must supply it along with maintaining complicity of audience in the preservation of his face. This is something difficult to achieve from the press. The moment the interviewee is at the podium, his or her face is vulnerable. Partington [2003] lists seven possible threats which at this point range from the questioner putting the podium on the spot to: (1) state or justify his or her own opinion, (2) admit that the podium was personally wrong, (3) state or justify a client’s opinion or action, (4) state or confirm a client’s course of future action, (5) admit disagreement among different clients, (6) admit something that was said by the client was incorrect, and lastly (7) to admit something that a client had done was wrong.

The questioner is also not exempt from attacks from the podium. Attacks may be posed onto the question where the source of information may be doubted, the relevance of the question to subject in hand is questioned, and lastly scrutinization of the appropriacy of the question to an interview context. These last two are less common to be stated by the podium considering the recognition of the freedom to ask anything. The interviewer on the other hand may be attacked through the undermining of the interviewer’s role and a generalized attack on the interviewer’s institution. A distant third is a personal criticism of the interviewer. However, this does not always occur.

Weasel Wording accounts for part of the power of the podium. It is a technique similar to political correctness being both functional in the semantic and the rhetorical sense. Carlin provides his own definition, being that weasel wording pertains to the addition and modification of words to make things sound more important than they really are.

George Carlin [20:15]: Now, continuing with more of these more general language complaints, forgetting the washington angle for another moment, I like to mention America's love affair with euphemisms and euphemistic languages. I think some Americans who have difficulty dealing with reality have invented the kind of soft language to protect themeselves. And this tendency to 'euphemise' if that's a verb, it seems with every generation.
 
Here's an example: There's a well-known condition in combat where a fighting man's nervous system has been stretched to breaking point and he snapped or he is ready to snap, during the first World War, the condition is called "Shell Shocked" ---simple, honest, direct language with two syllables, shell shocked. Almost sounds like the guns themselves. That was over 80 years ago. Then an entire generation passed, and in the second World War, the same condition was called "battle fatigue", four syllables now, takes a bit longer to say, doesn't seem to hurt as much. 'Fatigue' is a better word than 'shock'.. Shell Shock, Battle Fatigue.. Then we had Korea 1950, Madison Avenue was riding high, and the very same combat condition was called 'Operational Exhaustion'. We're up to eight syllables now and the humanity has been squeezed completely out of the phrase, it’s absolutely sterile, 'Operational exhaustion'. Sounds like something that might happen to your car. Finally, of course there was Vietnam and even the lies surrounding that war, I guess it is no surprise that that very same condition was called 'Post-traumatic Stress Disorder'. Still eight syllables, we've added a hyphen, and the pain is completely buried under jargon 'Post-traumatic stress disorder'. I'd be willing to bet that if we still be calling it 'shell shock' some of those Vietnam veterans might've gotten attention needed at the time they needed it. But it didn't happen, and one of the reasons I'm sure of it is because of soft language. The language that takes the life out of life. And it does keep getting worse over time.

In more popular or frequent function, these are used in persuasion, and persuasiveness delivered with rhetorical skills makes for an effective positive face. The Positive Face is a conceptualization of the attitude of wanting to be ratified, understood, approved of, liked or admired by at least some others, presumably by those who are also admired and highly regarded. One important further step in the theory is that this positive face includes the desire to have one’s goals thought of as desirable [Partington: 2003]. Carlin had dedicated a fragment of his C-SPAN speech to discuss the public servant high, a sense of romanticism practiced by government servants:

[14:04]...So I that I could continue my work in government. Of course no politician would admit to such lowly station as 'working in government', 'serving the nation'. Another favorite distortion is 'public service'. I like America, don't you? The food is great, but the public service is terrible! Now, folks, a question for you. Do you think, its possible, that one of these politicians whose judgment is so poor that he honestly thinks of himself as serving the nation might be expected to engage in a little bit of patriotism, huh? What do you think? Well, of course it’s not only possible, it’s inevitable and that's when he's at his very best. That's when he trots out the very good stuff all across this very great land of ours 'the greatest nation on earth', 'the greatest nation in the history of the world' and at times of military crisis you can be sure that someone in a suit in this town will plant himself in front of the camera and carry on a great deal about 'the most powerful nation on the face of the earth'.

The scenario savors of residual Periclean-Athenian political culture, to which Carlin mocks to some degree. To his implied defense, it may be deduced that his view of Washington political figures (which also holds true for general classifications) is that the skills are rhetorically-based, but without strategy.
There is further exemplification of this rhetorical skill illustrating the attempt of reaching out to the public, minorities and subgroups with the use of blossom words:

[22:19] Sometime during my life, toilet paper became bathroom tissue. I was not consulted on this, it just happened. Sneakers became running shoes, loafers became slip-ons, motels became motor lodges, trailers became mobile homes, truck stops became travel plazas, and used cars became previously owned transportation. Manicurists evolved into nail technicians, and about the same time store clerks became product specialists and sales associates. Employees became staff, uniforms became career apparel. Maids became room attendants and room service became guest room dining. Information turned into directory assistance, medicine turned into medication. The dump turned into the landfill, gambling joints turn into gaming resorts, shacking up, living together, re-runs, encore presentations. Monkey bars, pipe-framed exercise units. Wife beating became intermittent explosive disorder, and constipation became occasional irregularity. Rainforests and Wetlands came into existence primarily because the Environmentalists discovered that people were not willing to give money to save swamps.

[24:01] Now, all of this happened in the last thirty years. When I was a young man, when someone was sick, they would go to the doctor. Now, the health maintenance organizations send them to the wellness center where they consult a healthcare delivery professional. Poor people used to live in slums, now the economically disadvantaged occupy substandard housing in the inner cities. And we can't fully discuss euphemisms without mentioning that taboo --- death. Used to be when an old person dies, the undertaker would put him in a coffin, send flowers to the funeral home where they held a wake. Then after the funeral, they drove the dead person in a hearse to the cemetery where the body is buried in the grave. Now, when a senior citizen passes away, the mortician places him in a burial container, and we send floral tributes to the slumber room where the grief coordinator supervises the viewing and after the memorial services, the funeral coach transports the departed to the garden of rememberance where his remains are interred in the final resting place.

[25:00] Some of this language can make you want to throw up. Well, perhaps engage in an involuntary protein spill.

[31:02] Here are some more examples of tortured modern language designed to soften reality. They make people feel good and in general dresses up things a little. Somewhere over the years, the word 'cripple' has been lost. We don't have 'cripples' anymore, turns out we never did, they were physically-challenged citizens. How is this one --- 'differently-abled'. If you insist on using 'differently-abled', you must insist on all of us. Each of us can do things that the other can't. The word 'cripple' is not a dishonorable word there's no shame in it, Jesus healed the 'cripples' he didn't engage in rehabilitation strategy with the physically-disadvantaged.
And we have this continuing problem with the word 'Fat'. We used that term because that's what fat people are, 'fat'. That's why we call them fat people. They are not large, they are not stout, hefty or chunky or plump. And they are not big-boned.. Dinosaurs are big-boned. And they're not necessarily obese. Obese is a medical term, and they are not overweight because overweight implies there is a correct weight, there is no correct weight. Heavy is also an incorrect term, coz an aircraft carrier is heavy, its not fat. Only people are fat, and that's what fat people are. They are not for instance 'gravitationally disadvantaged'... this is simply descriptive language.

Midgets and dwarves are midgets and dwarves --- they are not little people. Infants are little people, leprechauns are little people.. midgets and dwarfs are midgets and dwarfs. They don't get taller by calling them little people.. There are people who like to play with them by calling them 'vertically
challenged'. They are not. The Flying Warlendas are vertically challenged. People who built the empire state building were vertically challenged. No shame in midgets and dwarfs.
 

The press generally assumes the right to attack the podium’s positive face while the podium rarely responds in kind. Speeches or deliveries based on emotional value are believed to boost the positive face. Once more, George Carlin lends his ruminations:

[15:09] Normally, during peacetime, the politician will refer to people in the military as 'our young men and women stationed around the world. During wartime, they become 'our brave men and women stationed half way around the world in places whose names they can't pronounce, wondering if they'll ever see their loved ones again. For added emotional impact, 'sons and daughters' can always be substituted for 'men and women'. And so we can sum this up by saying that when the military is concerned, the extent of a politician's insincerity can be measured by how far around the world our soldiers are stationed, and whether or not they can pronounce it. Incidentally, another way of presenting this sentiment is 'we are sending our young men and women to places where the average American can't find on a map.' I've always thought it was kind of funny and out of character for a politician to go out of his way to point out the low level of american intelligence when indeed his very job depends upon it. It would seem to fly into the face of that rhetorical standby of theirs 'The American people are much smarter than they are given credit for.' This is said with a straight face...

This is popularly identifiable as the argument of the Appeal to Emotion, particularly Argumental ad Superbiam. Generally, it is a type of argument which attempts to rouse the emotions of its audience so as to gain the acceptance of its conclusion. There is no doubt that strong emotions can subvert rational thought, and the play of emotions in an argument is often fallacious. It is not relevant when it is intended to influence beliefs. At times they are reasonable when they aim to motivate action.
 
Another traditional challenge to the positive face is how a political figure or personality deals with clearing his image regarding a mistake. Once again, from George Carlin’s speech: 

[16:27] But the politicians, God bless 'em, or something like that, they are at their most entertaining when they're in trouble. When they're in trouble, their explanation begins simply with words such as 'miscommunication'. 'What did you do wrong, Senator?' 'Well, it was a miscommunication.' Or 'I was quoted out of context.' Better yet and more ironic, 'They twisted my words.' Such a nice touch --- a person who routinely spends his days torturing the language, complains 'They twisted my words.' Then, as the controversy continues to heat up, he moves to his next level of complaint, 'The whole thing has been blown out of proportions.' It’s always the whole thing. No one's ever claimed that only a small portion of something was blown out of proportions. Has to be the whole thing.. That's because now, he's feeling the heat.

So, as time passes and more evidence comes in, he suddenly changes directions and tells 'We're trying to get to the bottom of this.' Now he is on the side of law and order. It's Jujitsu, really. 'We're trying to get to the bottom of this so we could get the fact out to the American people.' Its always a nice touch, American people. At this point, he may even say, 'I'm willing to trust in the fairness of the American people.' Clearly, he is preparing us for something. And so when finally all the facts come out, and he seems quite guilty, he employs the sublime use of the passive voice of the words 'mistakes were made'.. ('don't look at me, probably someone at my office'). Things are moving faster now, 'mistakes were made' was overtaken by 'there is no evidence, no one has proven anything, eventually I will be exonerated, I have faith in the American judicial system..' and that certain sign that things are closing in, 'Whatever happened to innocent until proven guilty?'.. And we know that it’s true, because the next thing we hear from him is 'I just want to put this thing behind me, and get on with my life.'

This is an example of the podium being guilty, admitting mistake but through a half-meant apology. It is more suitable to be called ‘guilty with explanation’. A ‘Sorry’ as theoretically simple as it should be, suffices enough. Guilty-with-explanation moves are complemented with a cleaner-effect that is where the figure would attempt to illustrate a step down, that is to own up to responsibility.

[19:49] Let's hope there's a special place in hell for those who have recently decided to take responsibility for their actions. That's the big thing now, taking responsibility for own actions like it’s a recent discovery. 'He's taking responsibility for his actions.' Well, isn't that wonderful? Ask him if he's willing to take responsibility for MY actions, along with my alimony, my car payments, and my gambling debts.

For other instances, Brown & Levinson [1987] contend how Positive Politeness helps save positive face. Positive Politeness involves three steps: (1) Claiming of common ground with the hearer, to imply that their desires and yours coincide; (2) Convey the wish to cooperate with the hearer to fulfill their wishes; (3) Fulfill the hearer’s needs and desires. It has been advised to place emphasis on the first two criteria as the third is not always possible in the podium’s interest. This is a mode on how power can be kept on the part of the podium.

 

A Critical Look at a C-Span Spoof in SNL a.k.a. UNDERSTANDING THE POLITICS OF PRESS BRIEFING POWER RELATIONS THROUGH POLITICAL HUMOUR [Part III: Media Techniques & The Question-Answer Exchange]

Voice of the Press: On the Subject of Media Techniques & The Question-Answer Exchange

The questioning stylings advanced by the journalist (questioner) is approached as a linguistic strategy. From the political standpoint, one reason why press like to state questions in varied forms has less to do with the avoidance of monotony or the lack of spirit, but so as to come at a closer chance of fishing out more valid details from the podium. There are four forms that may be employed, all of which are intended as transitionals or a formula for introducing a new subject.

The C-SPAN spoof on the Prince Charles’ Press Conference presented by Saturday Night Live best exemplifies the nature of press exchange. This is taken from Saturday Night Live: The Best of Alec Baldwin.

[09:24] Announcer: We go now to a live press conference with Prince Charles’ private secretary – Sir Anthony McCollum.
[Dissolve to the press conference]
[09:34] Sir Anthony McCollum: Right. As you all know, there’s been a lot of talk recently about an alleged event that may or may not have taken place, with or without a senior member of the Royal Family, who may or may not have been engaged in certain unspecified acts of a highly indeterminate nature. As you know, I cannot address the matters specifically, but I will entertain a few brief queries.

S.A.M. clearly assumes the position of the podium as a representative. This question of identity has been resolved through the introduction on the part of the announcer. The podium begins with the background of the topic, and as illustrated, ambiguity is a classic move. Though the Questioners initially have the upper hand or greater power in this situation since it is their action to pose questions, the podium still has the option of limiting the asking power. This is exemplified in the last line which avoids the specific address of matters. This is the permitted type of interaction.
 
It must also be reminded that the objective of the podium is to create the illusion of complete and true information.

The code begins with a formal register with slightly rhetorical tones. The channel is mainly spontaneous as the podium does not appear to glance at his cards. Topics for discussion also range widely.

1. Question-Answer Adjacency Pair
 
[09:52] Reporter #1: Cynthia Watson, London Times. Can you comment at all on these rumors, concerning the Prince’s sexuality?

In terms of the format of the question, it is direct despite the identification of the position of S.A.M. by the announcer as representative of the main podium – Prince Charles, S.A.M. had still been faced with the trick which invoked a sense of free will. The fragment ‘Can you comment at all’ brings into question who is exactly meant by ‘you’ --- it invokes the dichotomy between being the representative who must stick to whatever has been told or as an independent informant. It seems to imply the latter considering how ‘you’ is paired with the action ‘comment’. Comment is also a trick-based word as it eliminates one possible answer on the part of the Podium almost automatically. The speaker cannot feign not knowing the answer to the query posed as the nature of the question is that it does not require a precise answer.

‘Can you comment’ is therefore used as a fishing tool, best to begin a set of questions, as the answer may necessitate follow-ups.

Questions related to the ‘Can you comment’ strand may begin with the fragment ‘do you feel’, ‘do you expect’, or the ‘do you think’ variety.

Sir Anthony McCollum: Madam, as you well know, legally, I cannot do that. British slander laws expressly forbid any specific mention of the matter.

This is a clear setting of permitted interaction. It also provides an indirect clue to the questioner to restate the query. Through saying it in this fashion, it is observed that the setting of limitations does not interfere with the right of the participant to information.

2. Background of Topic --> Question

[10:05] Reporter #1: So sorry. Allow me to rephrase. Could one say that the Prince took.. a “holiday”.. from his “usual interests”? And, on this “holiday”, did the Prince perhaps, “pitch a tent on the Isle of Man”?

In this format, there are details provided which may be stated in the rhetorical question form for the purpose of description and clarity before the statement of the actual question.

Sir Anthony McCollum : …[mulls the sound of it in his head] Yes, I suppose, legally, one could say that. Next?

3. Tripartite Structure: Shift of Topic --> Account --> Question

[10:26] Reporter #2: Uh, hello, thank you – if I may try a different vein. I know the Prince has!
[chuckles] Say the Prince were to have a “keyboard recital” at his home.

The first fragment of Reporter #2’s turn exemplifies this form. Turn taking illustrated by this reporter is begun with courtesy. This is deemed the obligation of the participant, to remain diplomatic.

Sir Anthony McCollum: Yes?
Reporter #2: And he were to invite a certain unnamed gentleman.. this fellow would undoubtedly bring a gift – say.. flowers.
Sir Anthony McCollum: Granted.
Reporter #2: So upon arrival, would this gent be more inclined to place “roses on the piano”.. or “tu-lips on his organ”?
Sir Anthony McCollum: [frowns] Sadly, the latter. [points to next reporter] Yes, you?

[10:56] Reporter #3: Say that the Prince recently purchased a country home?
Sir Anthony McCollum: Alright?
Reporter #3: Down “Cadbury Lane”
Sir Anthony McCollum: I know of no such address, but I’ll allow it.
Reporter #3: In the county of “Dingleberry”.
Sir Anthony McCollum: Indeed.
Reporter #3: And, say there was a problem with the insulation in his residence, a terrible draft coming in through his windows.
Sir Anthony McCollum: Where are you going with this?
Reporter #3: I wonder.. if he wouldn’t enjoy having his “crack”.. filled with “cauck”?
Sir Anthony McCollum: Undoubtedly.

[11:30] Reporter #3: Quick follow-up: If His Majesty is elected to become a civil servant.. would one be writing thinking that his occupation of choice would have been.. "manhole Inspector"? 
Sir Anthony McCollum: Often, his Majesty speaks of nothing else. [ points to next reporter ] Yes?

4. Question as Simple Appendage

[11:45] Reporter #4: Alright, despite all this talk, the Prince is above, all else, a gentleman. 
Sir Anthony McCollum: Absolutely. Always ready to give a fellow a hand.
Reporter #4: And, for a friend, he'd been over backwards - or forwards. 
Sir Anthony McCollum: Yes.

[11:58] Reporter #4: The kind of guy who would say, "It's better to give than to receive." 
Sir Anthony McCollum: The Prince of Wales is generous to a fault. He has been known to give until it hurts. However, I've also heard, that if you were to arrive at the Prince's back door with a sizeable package, you would be received warmly.

The example interview question provided by Reporter #4 is indirect, and one which only needs to be affirmed or negated. This is one variation of the question as appendage itself.

[12:22] Reporter #3: Could we say that the Prince was reared by a queen?
Sir Anthony McCollum: Yes.. of course.
 
This question raised by Reporter #3 is a straight-forward formatted one in comparison to that of Reporter #4’s. In terms of parameters for answering, it also may either be affirmed or negated.
 
[12:28] Reporter #1: You're saying that the Prince's favorite actor is Peter O'Toole?
Sir Anthony McCollum: Yes.

Reporter #1’s query is still a variant of the appendage classification, but what makes this particular statement unique is how it seeks the affirmation or negation of a specific statement which had been made by the private secretary himself previously.

[12:33] Reporter #4: Right, right.. and that his favorite meal is a "sack" lunch.
Sir Anthony McCollum: Yes..

[12:37] Reporter #3: And that his favorite bird is the swallow?
Sir Anthony McCollum: Indeed, yes.

3. Tripartite Structure: Shift of Topic --> Account --> Question (Design for Verification)

[12:42] Reporter #2: And, what of the rumor that the Prince can't drive car over.. 68 kilometers an hour?
Sir Anthony McCollum: I haven't heard that rumor.
Reporter #2: Because, at 69, he blows a rod!
 
Although this example is a return to the third model, it is a variant where the question raised is for the purpose of verification of unofficial news or on certain instances rumors, as the questioner eventually answers the query himself, so as to have the answer checked for accuracy or fallacy.
 
Sir Anthony McCollum: Thank you. That's quite enough.. I'm sorry.. that's all the time
we have for today. Thank you, thank you, thank you..
[ Private Secretary exits press conference ]

Aside from considering the forms for the statement of the questions, of complimenting interest is the variety of word structures which are employed by both sets of participants. These are intended as either introducers of new topics or as a speech strategy. When enumerated, these comprise of: Well, [Ellipsis], So, Look/Listen, and self-referential openings such as I think and My understanding is.

Well tends to be anaphoric where the speaker has a problem with the previous speaker’s turn [Partington: 2003]. It usually applies to both the podium and the questioner. In the case of the podium, it is a word which enables him or her some time to pause and reflect without being so noticeable. This is the similar purpose with the usage of the Ellipsis. At this time, the podium would reflect on whether the answer would be coherent to the previous statement. In the case of the interviewer it could be that he or she is trying to determine whether the answer given by the podium does in fact address the question. This would then typically follow a reformulation of the question, and to begin the question with the structure ‘well’. It is therefore both a start to a question and a response.

So functions as the introduction to a whole new type of turn, the reformulation of the previous speaker’s contribution [Partington: 2003]. It summarizes and proceeds to the point. It might be thought that this kind of move is used simply to check the drift of the topic rather than to shift it, but this is not always the case. It performs both functions simultaneously but applies more to question.

So functions as the introduction to a whole new type of turn, the reformulation of the previous speaker’s contribution [Partington: 2003]. It summarizes and proceeds to the point. It might be thought that this kind of move is used simply to check the drift of the topic rather than to shift it, but this is not always the case. It performs both functions simultaneously but applies more to question.

Look/Listen on the other hand seems to imply an annoyed tone. Used to begin the sentence of an answer, it is used for the purpose of clarification [Partington: 2003].

The self-referential openings I think and My understanding is are beginner fragments to the answers posed by Questioners. These are both phrases which are designed to address inquiries where the question cannot be escaped. The first, I think has implied connotations of personal opinion, and is stated by the representative separate from his or her identity as the spokesperson. This move at times may be a saving grace or a curse towards the main podium, depending upon whether it is used correctly or not. As for My understanding is it is grayer compared to I think considering that it requires some re-statement of fact. When used to begin the sentence, it informs the questioners and the audiences of the briefing that the statement may not entirely be true as the podium itself is not fully versed.

Lexical cohesion is also of paramount importance. Repetition has two aspects. It is considered positive if it is done in recognition of the acoustic considerations of the press conference, or if it creates a useful impression that the response is addressing the question properly [Partington: 2003]. It is negative if repetition is taken as an expression of sarcasm, an implication of testiness with the question.


UNDERSTANDING THE POLITICS OF PRESS BRIEFING POWER RELATIONS THROUGH POLITICAL HUMOUR [Part II: Briefings as Institutional Talk & Actors and Identities - Nature of Exchanges in Press Briefings]

M A I N   E V E N T

When a Political Scientist inspects public oral discourse, he or she begins with examining the scenario for geopolitical considerations of which there are two: location of the (1) Podium, and (2) the Stage. The Podium is perceivable as either one of two things --- First, it typically pertains to a physical structure which abstractly separates the speaker from the audience as it gives the impression of authority. This holds true for the Stage as well, being an elevated structure also insistent of authority. Secondly, in terms of conversation analysis, Podium is the variable name given to the person who addresses inquiries being posed. Though it is recognized that the Questioner (Journalist) regularly wields more power in the sense that their inquiries direct the flow of the discussion, the power wielded by the podium involves the shaping of the flow, where there could be the limitation, non-restriction, or illusion of information. In both cases defining the podium, the podium is initially neutral dependent upon who is standing at it. The illusion of information is a point of fascination for the Political Scientist, as it is a strategy employed by most political figures and popular personalities who recognize the rights of people to information --- the task at hand would then be to attempt to provide while not providing information. This is a trick frequently employed, and will be discussed in full in the succeeding discussion.

Briefings as Institutional Talk

The exchanges which occur during a press briefing are classifiable under the rubric of institutional talk. How this differs from the basic activity of conversation is dependent upon the linguistic contexts of the conversation contains elements of the strategic [Harris: 1995]. Further, participants of the conversation are oriented towards the achievement of a core goal that has to do with the institution that is subjected to question [Drew & Heritage: 1992]. The sides have working goals which they attempt to achieve at the expense of each other.

Institutional settings also predictably impose particular limitations on the kind of language behavior which can be produced. The interaction may involve special and particular constraints on what one or both of the participants will treat as allowable contributions to the business in hand [Drew & Heritage: 1992]. More simply, there is the necessity to establish the distinction between highly formal settings and informal ones [Partington: 2003]. Press briefings are typically classified as less formal as there is the possibility of interpersonal communication between the participants on more than one social level, a ‘business level’, but also on more unofficial conversational levels. This has been reflected in the kinds of language used. Further, in the briefings the participants are often acquainted with each other. Partington [2003] maintains that one of the interesting aspects of the genre is the way that the talk transforms from one kind into another, from one social register to another. Press briefings may also become formal if the subject satisfies either one or both conditions where: (1) the subject involves a hot-button nationalistic, sentimental issue (e.g. Remembering 9/11) therefore abstract considering how constraints based on propriety apply, or (2) physical, observant of the formality or the sanctity of the surroundings (e.g. Church, banquet hall).

Institutional settings also predictably impose particular limitations on the kind of language behavior which can be produced. The interaction may involve special and particular constraints on what one or both of the participants will treat as allowable contributions to the business in hand [Drew & Heritage: 1992]. More simply, there is the necessity to establish the distinction between highly formal settings and informal ones [Partington: 2003]. Press briefings are typically classified as less formal as there is the possibility of interpersonal communication between the participants on more than one social level, a ‘business level’, but also on more unofficial conversational levels. This has been reflected in the kinds of language used. Further, in the briefings the participants are often acquainted with each other. Partington [2003] maintains that one of the interesting aspects of the genre is the way that the talk transforms from one kind into another, from one social register to another. Press briefings may also become formal if the subject satisfies either one or both conditions where: (1) the subject involves a hot-button nationalistic, sentimental issue (e.g. Remembering 9/11) therefore abstract considering how constraints based on propriety apply, or (2) physical, observant of the formality or the sanctity of the surroundings (e.g. Church, banquet hall).

Actors & Identities: On the Nature of Exchanges in Press Briefings

The general typification of participants is under the character of Questioner or Podium. Both actor classifications are capable of posing questions. The Institutional genre differs principally in terms of the goals and roles of the participants, the participants’ rights and obligations, permitted types of interaction, permitted contributions to the business in hand, and the long-term symmetry and or asymmetry of opportunity between participants [Partington: 2003].



REFLECTIONS ON SHIH: Is the Strong State THE Explanatory Variable Behind Success?

The article provides a demonstration of how theories of the state provide an explanation to economic development. Readers will learn that factors of social change need to be unpacked and determined so as to guide sociopolitical analyses.
 
Shih begins his discourse with a brief foreword, a set of remarks on the value of statism. Statism is not a wholistic entity. The scope of its application includes other intellectual roots which consider the elevation of the state to the highest status. The names Amsden, Cumings, Crane, and Evans are not strange to statists. 

Amsden in the conclusion of one of her compositions asserts the inadequacy of dependency theories in the explanation of Taiwan's story. Cumings has been often cited by statists for his vista on the economic theory of product cycles and on the analysis of authoritarian regimes. Crane on the other hand presents an argument on the possibility of ascent in the world system with credit to an active role played by the state.

The paper comprises of a three-tiered objective: 
(1) To present a critique of the main thesis of the Statist Approach 
(2) An empirical application on the case of Taiwan 
(3) Provide a test of theoretical validity in order to balance, through an assessment of two policies: Land Reform Policy and Import-Substitution to Export Promotion.

Shih, Cheng-Feng considers the following main theses of the Statist for his paper:
“…more universal regularities may be generalized by taking lessons from economic performance in NICs.”
“…dependent development is possible if the state plays a more role in the process of economic development.”

COROLLARY: Negative consequences from   dependency may be mediated by state intervention.
“…growth and equity may be reached with proper manipulation of strategies.”

CRITIQUE

There is the inquiry posed on the identification of the ultimate determinant of changes. It is out of ontological consistency and an act of faith that statists must specify what they believe to be the ultimate determinant of changes. The relevance of this is that sometimes political analyses are more applicable if they could present a hierarchy of causality to readers and students to guide them in analyzing the factors for social change; although this hierarchy should not be dogmatically followed. Instances such as this are present between necessary and sufficient factors; enduring and contingent conditions; dialectics or interplay of factors, conditions and processes.
It appears that statists never pay attention to the Agent-Structure. There is a lack of clarity as to which factor dominates. While statists maintain that external factors largely decide the fate of the state, there is the calim that the strong state may play an active role in national development. A spectrum may be of use as to when the structure plays a more decisive role or when the social agent is able to exert more influence on processes so as to put into effect a change.

Much ado has been posed as to composing an effective working definition of 'strong state', when the concept of 'society' is being overlooked. But what about the amount of influence that intervening social forces exert upon the state? The portrayal of the state as an omnipotent one neglects the existence of other social forces and treats the society as passive.

Does having a strong state mean having a weak society? Does having a strong society denote a weak state? A general accepted definition of state autonomy goes as follows: it is the extent to which the state is able to isolate itself from domestic dominant classes and to contain or even suppress their interests in policy-making. Theda Skocpol on the other hand provides her version which interprets state autonomy as the strength of society which determines the strength of the state. Policy efficacy then, is a feasible yardstick of state strength and or state autonomy. From examining these primary considerations it is concluded that state autonomy is a relative phenomenon.

As to addressing the inquiry of whose interests should the state uphold, this is also answerable through Skocpol. Ideally, the state should uphold the interests of all interest groups. But most studies indicate focus on dominant classes, majority of which comprise of capitalist. Shih tells readers that class stratification isn't always the case. Taiwan is considered once more, an illustration of dominant ethnic groups. Ethnic cleavages having been present between dominant mainlanders and the subordinate Taiwanese.

According to Shih, there is the undermining of the alleged domination of the strong state. The status of the strong state as an independent explanatory power is lost due to the consideration that state autonomy is being conditioned by the strenth of the society. This challenges the postulate that the strong state is an independent explanatory power. Statists assign Taiwan the status of being dependent, being based on the judgment of Taiwan's engagement in international trade and reception of foreign investment.

Why did the state decide to undertake all those policies, such as land reforms, or the decision to move from import-substitution to export promotion? Land reform was implemented to destroy the economic base of the emerging Taiwanese middle class. So according to Shih, land reform was a means toward self-preservation and not economic development… and that the implementation of such policy was not a product of careful planning. Export-promotion was a rational choice. It must be mentioned that the monopoly of political or economic power by the state is not equivalent to state autonomy and that the possession of capacities does not guarantee insulation from society. Further, a holistic state does not guarantee that its plans will all be translated into policies and will be successfully implemented.

CONCLUSIONS

Statists argue that it is because of the active role that the strong state plays that "Bringing-the-state-back-in" is a way of explaining dependent development. Being autonomous, strong state is able to isolate itself from the demands of the dominant group of the society and thus to actively formulate any policy that seems optimal for the general interests of the counts as a whole.

There is the failure of the statists in distinguishing whether systemic or internal factors cause change.

The degree to which the state is strong is not only determined by its own organizational coherency, but also by the strength of society. This renders the statist explanation incomplete if it continually neglects society.

The strength of the state cannot be measured simply in terms of the full quantity of its capacities.

There is circular argumentation between successful policy and the strong state, being that the policy is successful owing to the strong state. The state is strong because its policy is successful.

ASSESSMENT: All is not lost in the Statist Paradigm...

The author, Shih, should have been more informed of the not-so-recent work of Joel Migdal entitled State in Society: Studying How States and Societies Transform and Constitute One Another (2001). Amazon.com reviews call Migdal's book a refreshing account, a discussion how societies and states create and maintain distinct ways of structuring day to day life, including the nature of rules that govern people's behavior, whom they benefit and whom they disadvantage, which sorts of elements unite and divide people and what shared meanings people hold about their relations with others and their place in the world.

As a useful tool of analysis, it is recommended to locate the statist approach in a broad spectrum ranging from extreme to moderate. Crane – Cuming – Migdal – Evans – Amsden – Haggard, extending from least moderate to moderate to extreme.

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Dr. Shih Cheng-Feng, Strong State as an Explanatory Variable of Economic Development: with a Focus on the Case of Taiwan.
 http://www.wufi.org/tw/eng/strongst.htm Accessed: 21 June 2008  1500 HRS.

Amsden, Alice H. 1985. "The State and Taiwan's Economic Development." in 
Peter B. Evans, Dietrich Rueschemeyer, and Theda Skocpol, eds. Bringing the State Back In. pp. 78-106. Cambridge: Cambridge Univ. Press.

 -------. 1979. "Taiwan's Economic History: A Case of Etatisme and a Challenge to Dependency Theory." Modern China. Vol. 5, No. 3, pp. 341-80.

Migdal, Joel S. 2001. State in Society: Studying How States and Societies Transform and Constitute One Another. Cambridge University Press.